EPISODE 32: WOMEN IN HORROR
Horror authors T. Fox Dunham & Phil Thomas start off 2017 celebrating women’s contribution to horror, in support of Women in Horror Month which starts February. This begins a series celebrating under-represented women contributors in writing and film through their stories and interviews.
Their first guest is Fox’s old friend, Lori Michelle, author of Dual Harvest, editor of Dark Moon Digest with Perpetual Motion Machine Publishing and a Bram Stokers award nominee. Lori talks about her inspiration, taking care of her son, young cancer patient recently in remission, and the world of publishing from a female author’s point of view.
She shares her story ‘The Talk,’ published previously in Dark Moon Digest. Allison Ledbetter narrates the story. “All the years of her life given up to be tortured. Why had she stayed?” It kicks you at the end.
Lila’s perfect Saturday night means falling asleep on the couch with a glass of wine and a good book. But even the perfect night could go bad when Lila starts longing to know what secrets her brain keeps locked away. Left with only distorted nightmares of her life before the accident, she numbly goes through life, hoping to find out just who she is. Amber, double-crossed by a lover, would much rather be slipping something in the wine than sipping it. While she gives great pleasure, loving Amber comes with great pain. Her body is a weapon and she knows how to use it. Detective Balducci, now removed from the Harvester Killer case, begins an “off-the-record” investigation that will not only test his skill as a seasoned yet loose cannon police officer, but stretch his emotions to the breaking point.
As their lives crash together, past scandals and shocking truths surface as they find out just how close to the killer they have been all along.
Praise for Dual Harvest:
“Lori Michelle’s debut novel is a tapestry of erotic thriller and gritty police drama. ” Neal James.”
“Very well written and constructed into a perfect stormy night read.” Jack
“As the story comes to a climax, you really do feel like you know each one of them as if they were yourself, and you simply forget who to root for.” Max
Check out the rest of the great reviews on AMAZON
PD Cacek, another important female voice in horror, contributed her true ghost story, Footlighters Theater. A young actress and singer named Lydia refuses to give up on her stage career even in her death. The story is narrated by our British folksinger, David Walton.
Fox & Phil discuss several uncelebrated female voices in horror and focus on Mary Shelley, author of Frankenstein. They talk about her tragic life, the inspiration behind this keystone novel and how she had to publish the book anonymously since she was a women writing at the time.
They’re on PARA-X RADIO at 9PM EST on FRIDAYs.
Follow us on Twitter: @pfwhatafraidof
Listen for us on PARA-X RADIO at our usual time slot on FRIDAY NIGHTS at 9PM EST.
Sponsored in part by Perpetual Motion Machine Publishing.
(A Horror Medical Thriller Novel from Blood Bound Books.)
By T. Fox Dunham
(Host of What Are You Afraid of Horror & Paranormal Podcast)
FANGORIA gives MERCY 3.5 out 4 Skulls – “Dunham has channeled his many brushes with the other side into the exquisitely rendered, lyrical supernatural hospital thriller MERCY.“ READ FULL REVIEW HERE.
“Part medical horror, part supernatural suspense, MERCY is a hard-hitting fever dream of a novel. I enjoyed the hell out of it!” ~ Tim Waggoner, author of The Way of All Flesh and Eat The Night
“Pain and poetry flow in equal measure through these pages. Dunham’s prose strikes deep and hits all the right notes. MERCY is unforgettably vivid.” ~ David Dunwoody, author of Hell Walks and The 3 Egos
William Saint is dying of cancer. On most days death seems like a humane alternative to the treatment. Stricken with fever, William is rushed to Mercy—notorious as a place to send the sickest of the poor and uninsured to be forgotten—and finds the hospital in even worse condition than his previous visit. The grounds are unkempt, the foundation is cracking, and like the wild mushrooms sprouting from fissures of decay around it, something is growing inside the hospital. Something dark. It’s feeding on the sickness and sustaining itself on the staff, changing them. And now it wants Willie.
This was my death.
Life is an addiction.
Love is the only force that is real. Read . . . and understand what I saw. I put it in metaphor. You do not understand what you do not understand.